Reading: Will Grayson, Will Grayson

Watching: Teen Wolf (over and over again)

Studying: Maths, English, Biology, Chemistry :/

Big dates ahead: 18, 19, 21, 25, 26 of june (its a big month...)

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simmerdwn:

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simmerdwn:

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from-james-to-lily:

WHAT THE ACTUAL

got6:

*boy calls me hot* um what the fuck?

*girl calls me hot* u are an angel thank u i love u so much!!!!!!!

“close enough”

― anyone who’s ever tried to even out their eyeliner. (via logays)

Behind the Scenes of Amnesia (via 5SOS Brasil)

okoenig:

do you ever get those pangs of anxiety where you feel like nobody likes you and nobody will ever like you and you will achieve nothing

kickpixel:

Baby Groot

kickpixel:

Baby Groot

bakerstreetbabes:

fuckyeahfightlock:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist


HOW DID I MISS THIS WHEN I WAS WATCHING IT THE FIRST TIME?!

Very interesting! Although I would call Mary more of an inverted photograph of Sherlock rather than a pale imitation, but no interpretation is invalid. The cinematography and costume choices in Sherlock are deliberate, and it’s awesome. The fact it’s so cohesive is what makes this show amazeballs. [Kafers]

bakerstreetbabes:

fuckyeahfightlock:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist

HOW DID I MISS THIS WHEN I WAS WATCHING IT THE FIRST TIME?!

Very interesting! Although I would call Mary more of an inverted photograph of Sherlock rather than a pale imitation, but no interpretation is invalid. The cinematography and costume choices in Sherlock are deliberate, and it’s awesome. The fact it’s so cohesive is what makes this show amazeballs. [Kafers]

ccoastal:

hanars:

luckykrys:

thecreach:

luckykrys:

"Anne Bonny and Mary Read were pirates, as renowned for their ruthlessness as for their gender, and during their short careers challenged the sailors’ adage that a woman’s presence on shipboard invites bad luck."
Sculpture by Erik Christianson.

I’m not entirely sure that the statue really needed to have a tit out.

How dare women try to have nipples.

Actually I’ve seen this before and I can tell you— it’s because these women were bad ass pirates and when they killed someone they’d expose one or both breasts so that when their victim died, (s)he knew that they were killed by a woman.

ACTUALLY Anne Bonny purposely wore loose fitting clothes and displayed her breasts openly at all times during battle - mainly because men were distracted by them, and she took pleasure in killing said men while they were too busy staring at her breasts. Mary Read dressed mainly as a man (after posing as her deceased brother, Mark, for the entirety of her childhood) and both ladies cross-dressed from time to time, hopping between ships. They were known as the ‘fierce hell cats’ due to their ferocious tempers, and were key elements to Captain ‘Calico Jack’ Rackham’s crew - they were the only two known female pirates in the Golden Age of Caribbean piracy. IN FACT, when the ship was captured by the British Navy, Anne and Mary were the ONLY TWO pirates who fought while the males of the crew hid - they were all tried to be hung as pirates but Bonny and Read were both pregnant and were pardoned.
Calico Jack was a lover to Bonny, and as he was to be hung, Bonny’s final words to him were, “Had you fought like a man, you need not be hung like a dog.” Bonny and Read were possibly two of the most badass fucking pirates and they were FEMALE. The more you know. 

ccoastal:

hanars:

luckykrys:

thecreach:

luckykrys:

"Anne Bonny and Mary Read were pirates, as renowned for their ruthlessness as for their gender, and during their short careers challenged the sailors’ adage that a woman’s presence on shipboard invites bad luck."

Sculpture by Erik Christianson.

I’m not entirely sure that the statue really needed to have a tit out.

How dare women try to have nipples.

Actually I’ve seen this before and I can tell you— it’s because these women were bad ass pirates and when they killed someone they’d expose one or both breasts so that when their victim died, (s)he knew that they were killed by a woman.

ACTUALLY Anne Bonny purposely wore loose fitting clothes and displayed her breasts openly at all times during battle - mainly because men were distracted by them, and she took pleasure in killing said men while they were too busy staring at her breasts. Mary Read dressed mainly as a man (after posing as her deceased brother, Mark, for the entirety of her childhood) and both ladies cross-dressed from time to time, hopping between ships. They were known as the ‘fierce hell cats’ due to their ferocious tempers, and were key elements to Captain ‘Calico Jack’ Rackham’s crew - they were the only two known female pirates in the Golden Age of Caribbean piracy. IN FACT, when the ship was captured by the British Navy, Anne and Mary were the ONLY TWO pirates who fought while the males of the crew hid - they were all tried to be hung as pirates but Bonny and Read were both pregnant and were pardoned.

Calico Jack was a lover to Bonny, and as he was to be hung, Bonny’s final words to him were, “Had you fought like a man, you need not be hung like a dog.” Bonny and Read were possibly two of the most badass fucking pirates and they were FEMALE. The more you know. 

midnasbitch:

blossoming-existence:

october-eightyeight:

laughing-trees:

carniecopter:

We are not so different.

I love this, we are all just occupying different forms

this is the coolest f*cking thing

this is so important

this.

swagajewea:

wow. thanks dash.

swagajewea:

wow. thanks dash.

elation-success:

mydogsnokes:

i miss when i was like 12 and it would be the night before a big field trip or something and i couldnt go to sleep because i was so excited. i miss being so into a book that i would stay up past my bed time reading it. everything seems so bland or something idk. i’m only 19 and everything is so tiring. i miss wanting to be awake

this is the realist shit on this website

spikespiegell:

do ya ever bring your pet up to a mirror and ur like “that you”